Last year, I set off on the Eurostar from London to Paris with the intention of retracing the Golden Age route to Istanbul on a series of trains that would take me via Vienna, Bucharest and Sofia. I’d twice had the delight of spending a night on Belmond’s Venice Simplon-Orient-Express, a fabulous luxury rail journey driven by nostalgia for a bygone era. The train sailed past the glittering waters of Venetian lagoons and thundered along vineyards, crystal clinking on white linen as we dined on chicken oysters and Oscietra caviar, the smell of polished mahogany heavy in my private suite.
Contrary to popular myth, the train was never solely a luxury service, but a regular passenger train made up of several sets of rolling stock. Inspired by my journey on the Venice Simplon-Orient-Express, I spent the last few days clattering towards Istanbul on regular services, meeting everyone from students and carers to musicians and human rights lawyers. The trains were full; sleeper cars booked up. It didn’t take long for conversation to spark as tips were shared about restaurants and life stories were swapped, everyone emboldened by the anonymity unique to train travel as passengers hopped on and off. Making my way across Europe, I could picture passengers on the original route, travelling through the shadows of the same forests, crossing the River Danube and arriving to the same outlines of Istanbul's hills and minarets, their points like sharpened pencils against the dawn sky.
Trains give me the gift of time and freedom, along with a firm feeling of place. Long-distance journeys are perfect for reading books cover to cover, writing in a diary, sketching or playing games of cards. Offline, I find peace, glancing up to watch streams grow into rivers, mountains rise and recede. Seated at a train window, cup of tea in hand, I watch villages flit past, children playing makeshift games of cricket or lovers stealing a kiss on a walk. Trains reveal the in-betweenness of the land: the clusters of forests haloed with mist; the molten surface of a lake at sunset; the sole farmhouse in a field of golden corn.