We owe Romazzino’s conception to Italian architect Michele Busiri Vici, who with his son Giancarlo, signed a jewel of a resort blending with its natural surroundings and sea views. With a similar organic principle to architect Antoni Gaudí, the stark white concrete of the hotel seems both apiece with the rocky terrain and stands astride it like a curving, shining bauble. Providing a Sicilian-Sardinian cuisine direct from nearby farms, suckling pig and roasted lamb were popular dishes for 1960s patrons there. Water skiing, skin-diving, and boating were most popular according to a 1969 LIFE Magazine photo story about the area, and the likes of Liz and Dick (Elizabeth Taylor and Richard Burton, of course) were known for pulling their yachts into the harbour.
Speaking of the harbour: the 2.5km white-sand beauty nearby, known as Spiaggia del Principe, was rumoured to be the favourite of the Aga Khan himself; but the Costa Smeralda (translation: emerald coast) is full of rocky half-moon bays on perfect pools of emerald blue-green Mediterranean Sea. Both a sea-salt-flecked relaxation point and a location to see and be seen, the Romazzino was a crown jewel in Italian holiday resorts, away from the frenzy of the Italian Riviera or the starry island of Capri. Conceived by royalty and designed to please them, it’s no surprise that the five star hotel harboured the likes of Grace Kelly and Princess Margaret, but this was no prim, fussy locale: Romazzino had a bohemian edge, also welcoming Ringo Starr, who was rumoured to have written his song “Octopus’s Garden” in Sardinia, fellow Beatle George Harrison with Pattie Boyd, his fashion plate wife at the time, as well as raucous comedian Peter Sellers.
Fittingly, in turn, the Romazzino attracted photographers and filmmakers who sought to capture its glory onscreen. Slim Aarons, legendary photographer and socialite anthropologist of sorts, described his modus as capturing “attractive people who were doing attractive things in attractive places.” There was hardly a better place to do so than Costa Smeralda, and Aarons captured stunning shots of assorted sunbathers and glass-like seas in the late sixties. So too did Vogue photographer Henry Clarke, capturing the lithe, sun-browned limbs of model and actor Marisa Berenson sprawled on the Sardinian rocks, often in tiny Pucci mini-dresses and sweeping patterned caftans that look just as wearable in 2024.